Ísey
A visual language built from scratch for an Icelandic documentary series - hand-painted illustrations, botanical elements, and a pitch deck that had to make broadcasters feel something before Ísey even appeared on screen.
Client:
Skrítla ehf.
Role:
Date:
2026
Not all good design lives in a dashboard.
I watched the teasers and pilot, understood the emotional world the film was building - slow, tender, nature-led - and designed everything around that feeling. The botanical illustrations, the typographic warmth, the pitch materials. All hand-painted, no shortcuts. The brief wasn't written down anywhere. I had to find it in the footage.
Illustrations
Client:
Shield Intelligence
Role:
Illustration, Branding
Date:
2020-2021
Preview:
Data brands can have soul too
The brief was simple: make a precision analytics product feel like something people actually want to spend time with. I built out a visual universe of hand-crafted characters - organic, warm, and deliberately human in a space that defaults to cold.
State of LinkedIn
An annual flagship report: concept, layout, illustration, data visualisation, multi-channel design. All mine except the copy.
Client:
Shield Intelligence
Role:
Creative Direction, Branding, Illustration, Multi-Channel Design
Date:
When data needs to be read, not just seen.
This wasn't a deck - it was a piece of communication. I owned everything from how the data was visualised to how the illustrations framed each insight. The CMO wrote the words. I made sure people actually wanted to read them.
